In 2004, a genetics study concluded that 13.4% of the Y chromosome of Azoreans is of Jewish origin, a fact that suggests the importance of the Jewish presence in the Azores over many centuries. There are three major instances of the Jewish presence in the Azores - the first dates back to the original settlement of the Azores in the 15th century; the second takes place in the first quarter of the 19th century and the third coincides with the period of the Nazi nightmare in Europe. Commerce was the main economic activity of the Azorean Jewish community, but the islands became too small for their business objectives. The only family to remain on the islands was the Bensaúdes, who have undertaken the most successful investments in the Azores to this day.
The heritage of Jewish history, culture, and life on the Azores is grim and sad. Among the Jewish communities of the world that have vanished, that of the Portuguese-owned Azores in the Atlantic Ocean was not well known even while it flourished. Two of the islands, Terceira and Sao Miguel, each had a Jewish community for at least 200 years. Members of these communities came from Portugal, Morocco and perhaps also Spain and Gibraltar. They engaged mostly in commerce and shipping.
The first documented Jewish settlement began in 1818; by 1848 the numbers rose to 250; the most important of the communities was in Ponta Delgada. But some contend that Jews came to the islands already in the late 15th century; "The Jewish presence in the Azores had two moments," said the director of the municipal department of culture and history on the island of Terceira, Francisco dos Reis Maduro Dias, quoted in the The Forward (January 9, 1998). "The second, which began at the start of the 19th century and continued through the 20th century, is well documented. The first, which coincided with the discovery and the settlement of the Azores in the 15th and 16th centuries, is not documented at all. All we know is that Jews were here and, like those on the mainland, were pressured to convert."
During World War II, the Azores became a haven for some Ashkenazi Jews from Germany and Poland who managed to flee Europe by way of the Iberian Peninsula. After the war the Ashkenazi dispersed, while the native Sephardi population dwindled through emigration and death and intermarriage. Salom Delmar, who took care of the synagogue and cemetery until he passed away in 1990, and now his son, Jorge Delmar, sustains the memory of the community as best he can. "Thirty years ago, there were 16 Jewish families on this island," Delmar told Myrna Katz Frommer in 1998. "We were a community. We had services in the old synagogue and made all the festivities in my grandfather's house. But all the others have died or converted or moved away. I am the only one left."
[Encyclopaedia Judaica, v.3, p.1013; Charlotte Weisbrot, “Time seems to stand still in Azores synagogue”. Canadian Jewish News, 10/2/1986; Myrna Katz Frommer, Letter from the Azores, Forward, January 9, 1998; and Dias, Fatima, 1999 "The Jewish community in the Azores from 1820 to the present in From Iberia to Diaspora: Studies in Sephardic History and Culture, Ed. Yedida K.Stillman e Norman A. Stillman, Brill, Leiden, Boston, Koln.]
There were several puzzling things about the Jewish cemetery on the island of Terceira in the Azores — a lush, volcanic, Portuguese archipelago in the middle of the Atlantic Ocean. First, a plaque on the outside wall called the cemetery a “field of equality” and profusely thanked “the most illustrious members of the city council” for selling the Jews the land.
“Jews believe that everyone’s equal in death — rich, poor, old, young,” my guide said to my husband Paul and me.
Hmm, I thought. I’ve never seen writing about equality at a Jewish cemetery. And why the profuse thanking for being allowed to purchase land? The words indicated to me that the Jews were trying to ensure their safety, proclaim their loyalty or curry favor in some way. I wasn’t sure how.
Second, the tombs bore no Jewish symbols. Most of them were horizontal slabs of stone, shaped like the outlines of human bodies, but there were no lions, menorahs, hands outstretched in a priestly blessing. Instead, each one had a simple, stylized motif of a flower, and all the flowers looked alike.
I reflected on the history of the Jews in Portugal. When the Spanish Inquisition forced Jews to convert or leave, many fled to Portugal. Because of their wealth and skills, King Joao II offered permanent or temporary residency to a large number of them. When Joao II died and Manuel became king, he wanted to consolidate his power by marrying into the family of Ferdinand and Isabella of Spain; they agreed on the condition that Manuel expel all the Jews from Portugal. In 1496, after some of them had left, Manuel forcibly converted the remaining ones to Christianity. Even after baptism, they had to go to great lengths to profess their Catholic faith. There were secret Jews who, in public, adopted Christian customs while they continued their clandestine religion at home. There were Jews who sincerely converted and became Catholics. But, officially, there were no longer any Jews left in Portugal.
For about l5 years, I’ve gone on the trail of these Jews. They fled to the hills of Portugal and to destinations like Holland, the Ottoman Empire, Brazil, North Africa and the U.S. They often escaped to remote places, and I thought about that constantly in the Portuguese Azores. There were hints and some elusive facts, but I couldn’t pin anything down about a crypto-Jewish presence. All I knew was that starting in 1818, some Jews from North Africa whose ancestors had fled started showing up in the Azores, which was duty free, and where they could import and resell merchandise to local businesses. The Inquisition ended in 1821, and Jews were “tolerated” in Portugal. A group of them came to Terceira, and I was staring at about 50 of their tombs, which bore names like Abohbot, Benarus, Levy, Zagory and Bensabat.
By chance, I was introduced to Francisco dos Reis Maduro Dias, an archeologist, historian and museum curator with knowledge about the history of the Azorean Jews. I was afraid he’d laugh at me, but he took my questions seriously. He had some thoughts about why the word “equality” appeared on the plaque.
In 1820, a liberal revolution in Portugal received widespread support on Terceira. The liberals espoused the idealistic trilogy of the French revolution: liberty, fraternity and equality. They also tolerated religious diversity, although there were no outward religious signs. Was this why there were no Jewish symbols on the tombs?
Then Maduro Dias told me about Mimon Abohbot. He had led the fledgling Jewish community in Terceira, because there was no rabbi and he was knowledgeable and respected, and he wanted to assure Jewish continuity. He had a Moroccan Torah; his home was the de facto synagogue; and he wrote five books by hand, meticulously, lovingly, which contained all the prayers a Jewish family would need for all occasions. One of them was in the museum in Terceira.
I hate to beg, but at that moment I felt that the most urgent thing in the world was to see the hand-written prayer book and the Torah. “Please, please, can I see it?” I asked Maduro Dias.
He smiled. Was that a yes?
It was. A few days later, at the museum where he curates in the city of Angra do Heroismo, he led me into a classical library, crammed with books, and a long wooden table where he invited me to sit. He handed me a pair of white gloves and gently placed Mimon Abohbot’s gilt-edged, handwritten prayer book in my hands. The owner’s name was on the cover, which also bore a floral motif. At the back of the book was what looked like a genealogy. As I carefully turned the pages, my eyes lingered on a Hebrew phrase that means, “I was, I am, I will be.” The Eternal presence of the Divine. Sitting in the library, holding the book, I felt as though I had entered a sacred space.
“How can I see the Torah and have someone tell me about it?” I asked Maduro Dias.
“Let me see what I can do,” he said. “It’s in the pubic library in Ponta Delgada on Sao Miguel island.”
Before I left, I asked him why there was there a coastal village named Porto Judeu — the Jewish port. He said one possible explanation came from l6th century chronicles. Apparently, the first settlers who came to Terceira were afraid when they reached the shore. They said to a Jewish man with them, “Jump, Jew!” and this was the harbor where he jumped.
I jumped on a plane, flew 25 minutes to Sao Miguel and hurried to the public library. We followed a librarian named Margarida Oliveira into a room where the Rabo de Peixe Torah had been lovingly placed in a horizontal glass case. The parchment looked weathered, and had burn marks on it.
“There is a very mysterious story around this Torah,” Oliveira began. “It was found in a cave in 1997 by two kids. Unfortunately, they vandalized it, giving away and selling parts of it. They showed a piece to their religious teacher, who contacted the library. After analysis and restoration in Lisbon and Israel, the Torah was dated to the early l8th century in Morocco, probably the Torah of Maimon Abohbot.”
But why did the 300-year-old Sephardic Torah have a modern, machine-stitched, blue and gold, Ashkenazi-style mantle? A Portuguese Jew in Israel named Inacio Steinhardt, who’s done important research about the Azorean Jews, believed that Abohbot purchased the Morrocan Torah in London and brought it and another Torah to Terceira, where he used it in his home synagogue. His will stipulated that the Torah would remain in Angra as long as his descendants were there. But if they left, and no Jews remained, one of the Torahs would go back to Morocco and the other would go to the main synagogue —Shaar Hashamaim — in Ponta Delgada. There is no record of what happened to the Torahs.
Steinhardt discovered that there was a Jewish captain on the American military base on Terceira named Marvin Feldman who had obtained a Torah locally in 1970. After six years of searching, Steinhardt finally located him in Australia. Feldman said that on the base he led Shabbat services and was known as “the American Jew.” Some locals confided to him that they had Jewish origins, and they piqued his curiosity about the Jewish presence in the Azores. His search led him to Porto Judeu where, in a bar, some of the older men told him their version of the town’s name. In the l6th century, fugitive Jews were caught in a storm and sought refuge on land on Terceira. The governor of Terceira let them live on the island, but not in the man city of Agra. They settled in Porto Judeu.
One day, the locals handed Feldman a wooden box. Afraid to open it because it might have contained human remains, he looked inside: there was the 18th century Torah, which he took to the base. A Catholic priest knew Hebrew and read from it during services. As for the mantle, he’d had it made in the U.S.
In l973, Feldman departed the base and left the Torah behind. In 1997, it was found in the cave by the two kids. How did it get to Ponta Delgada? Who stashed it in a cave? And why? Was it stolen? Sequestered? Why did it have burn marks? Hmmm, I thought. There are echoes of the Dead Sea Scrolls here.
As I turned to leave the library, Margarida whispered to me, “I think my ancestors were Jewish.”
I thought this was the last important stop on the Jewish detective tour, but boy was I wrong. The tourism department informed me that a man wanted to meet me at the old synagogue. I had already walked by it before; it looked like a nondescript row house, with no writing, signs or Jewish symbols, and it was locked.
When I arrived, accompanied by two women from the tourism department, Jose de Almeida Mello — a bespectacled man with close-cropped dark hair — stood in front of the door. He greeted me in hesitant English and introduced his friend Nuno Bettencourt Raposo, a lawyer, who spoke English well. The former put a key in the lock and opened the creaky door of what he said had been a rabbi’s home; it was also used as a synagogue called “Sahar Hassamain.” He explained that he was a historian, and that both he and Bettencourt Raposo were Catholic. He said the people who built this synagogue in 1836 came from Morocco. “What we have here is very important — it is the oldest synagogue in Portugal since the Inquisition,” he exulted.
Inside, the abandoned house/synagogue was in a sorry state. We walked from an entry room to the room that housed the mikvah, or ritual bath, and saw the hole where rainwater flowed in, and the remnants of a drain and tile work.
Almeida Mello said he sees the synagogue as a symbol of religious tolerance. In 2008 he published a book about it and told the large crowd at the launch that it was “an SOS for the synagogue. We must do something now to preserve it, or it will be too late.” The city officials placed him in charge of promoting the synagogue and raising money.
“I descend from those New Christians,” Almeida Mello confided. “My ancestor was Manuel Dias, a trader. Actually, I believe that 99 percent of Portuguese people have Jewish blood because the Jews have been in Portugal for 2,000 years.”
He had a book in his hands, and he showed me that all his life when he held any book, he turned it over, and then opened it right to left — the way Hebrew is read, right to left.
“The Jewish religion never interested me,” Almeida Mello said, “but I’m fascinated by the culture. I am a religious Catholic man, but this synagogue is my passion.”
I was intrigued by his story, but underwhelmed by the building itself…until he invited us to follow him upstairs, cautioning us to use the right side of the wooden staircase, as the middle was unstable.
Upstairs were the rabbi’s living quarters. Light streamed in from outside.
“Now for the surprise,” Almeida Mello said. “Up until today, it has been a secret.” In the dining room, he opened what looked like a pantry door. “Come,” he said. I gasped aloud at what I encountered on the other side: an entire synagogue, with 30-foot-high light blue walls, a bimah, 65 carved wooden seats around the outside of the sanctuary, a chandelier and a circumcision chair. Strewn around were old prayer books, which had probably been unseen and untouched for more than 60 years.
“The synagogue was constructed inside the rabbi’s home because religious buildings had to be behind walls, with no visible identification on the outside. Inside here, it was away from the eyes of the townspeople.”
He said he had found a box in the synagogue and didn’t touch it for seven years.
“There were dead mice inside. Then, one night, in 2009, I started thinking about it. I bought gloves and a mask at a pharmacy, then opened the box and threw everything on the ground. I was totally shocked—there were manuscripts, books, parchment, fabrics, mezuzahs, phylacteries.” Almeida Mello looked at me with great intensity. “Now you understand why this is so important!”
In a hushed voice, I said that in all my travels, I had never seen anything like this. I had beheld hidden arks and sequestered shelves that held objects of worship, but an entire synagogue?
I followed him to the balcony where women once sat and prayed, sequestered behind an iron grillwork railing. I could hear their whispered talk, feel the presence of those souls who were now gone. I picked up a prayer books and held it close to my heart for a moment.
“I can still feel the presence of the Jews here,” I said, to no one in particular. “Yes,” said one of the women from the tourism board. “It is here. In us. I think we are all descended from them.”
IF YOU GO:
For more information about the Azores: www.VisitPortugal.com and www.visitazores.com/en
For four-hours flights from Boston and between the islands: SATA airlines: www.SATA.pt
For more about the synagogue: www.sinagogapontadelgada.com
About the author and photographer:
Judith Fein is a multiple-award-winning travel writer who has contributed to more than 100 publications and is the author of “Life is a Trip: The Transformative Magic of Travel.” Paul Ross is an award-winning photojournalist. Their Web site is www.GlobalAdventure.us.
REDEDICATION OF SYNAGOGUE MARKS MILESTONE FOR AZOREAN JEWISH HERITAGE By Michael Holtzman Herald News Staff Reporter, Apr 29, 2015
PONTA DELGADA, Azores — The expulsion of Jews from Portugal at the outset of the Inquisition in 1496 gained a significant and symbolic reversal with the rededication Thursday of the oldest synagogue in this country.
People of multiple cultures and religions celebrated the restoration and reopening of the synagogue, called Sahar Hassamain (Gates of Heaven), in memorable fashion.
Abandoned for at least 50 years after prosperity faltered and Jews slowly left the island, the synagogue, hidden inside a rabbi’s simple urban home, fell into disrepair until the call went out and the work of many — from average citizens to coordinated governments — began to restore and save it from ruin.
“This effort highlights the important Jewish legacy that exists in the Azores in this synagogue, now transformed into a cultural center and museum for our city,” Ponta Delgada Mayor José Manuel Bolieiro said in Portuguese at the rededication inside the restored, intimate sanctuary of carved rich woods, a tabernacle holding holy Torahs of Jewish scripture held for safe-keeping in Lisbon and other original artifacts that stood a test of time.
About 100 people — with more than a dozen media personalities, the bishop, ambassadors to Portugal from America and Israel, military, business and cultural leaders — listened from the sanctuary. Others sat in the small balcony once reserved for women in the Orthodox temple. And nearly 200 people sat just outside, watching and listening on four TV monitors.
Workers had readied the inauguration ceremony by hoisting the gold, red and gray banners of Ponta Delgada. Two women dusted and cleaned the inner sanctuary, and police security details began blocking access from Rua do Brum, where the synagogue is located a couple of blocks from City Hall.
Bolieiro proudly said his city on the island of São Miguel — which once had five synagogues — “can now be included among the world’s cities with a Jewish legacy” and will attract visitors.
“Putting Ponta Delgada on the map of Jewish heritage cities is the next step, which is sure to impact our tourism,” Bolieiro said.
About 80 people, many with ties to the Azorean or Jewish communities in Greater Fall River and New England, traveled to Ponta Delgada earlier in the week to participate in the historic events.
“Portugal would not be what it is today without the rich Jewish culture, customs and experiences interwoven in its history. The story of the Jews of Portugal is long and powerful, and it is a story that begs to be told,” said Fall River-area state Sen. Michael Rodrigues, one of several speakers in the sanctuary.
That story includes returning families with names like Bensaude, Delmar and Abecassis in the early 19th to early 20th century, bringing commercial and trade prosperity to Portugal and the islands, as well as important cultural growth.
THE PAIM BOOKHOUSE GALLERY (PAIM LIBRARY GALLERY), PICO
The Azores Fringe international arts festival provides opportunities for new talents and new experiences in contemporary art, as well as encouraging the renewal and return to cultural traditions of the Azores islands.
Thus, the Paim Bookhouse Gallery (Paim Library Gallery) will open its doors to the public the first weekend of the festival. Located in the parish of Santa Luzia, on the island of Pico, the reconstruction of an old house is now another cultural point of interest on the island. Manuel Azevedo, better known as Armenian, is a Canadian emigrant who visits the mountain island for extended periods during the year. After rebuilding his grandparents’ home, he decided to invest in art and traditions, creating an opportunity for visitors and residents to live with art. “It is a dream come true,” says Armenian, “to give new life to an old house, now full of books and art.”
There are 26 artists from abroad, from various regions of Portugal and the island of Pico who are already part of the Paim Bookhouse Gallery’s estate and the debut exhibition. Thousands of books by local authors, as well as national and foreign authors in various languages, can be appreciated and read, as well as a special section where the public can “leave a book, take a book.”
The celebrated parties or evenings where the dances of yesteryear were danced, which are rarely seen today but which had a presence in all the parishes of the island of Pico, will be revived on the opening night of the Paim Bookhouse Gallery, where musicians from the island are invited To join the social gathering and celebration, starting at 9:00 pm on Sunday, May 28.
Azores Fringe, the international arts festival, hosts hundreds of works and artists on the 9 islands of the Azores from May 26 to June 30 www.azoresfringe.com
In 1818, North African Jews whose ancestors had been expelled from Spain came to the Azores. This was duty free and allowed them to import and resell to local businesses. In 1820, the Portuguese liberal revolution led to religious diversity.
Today, Portugal’s oldest post Inquisition synagogue the Shaar Hashomaylum Synagogue, which was built around 1820 and consecrated in 1836 is being restored. Work was completed in 2015.
Israeli ambassador to Portugal Tzipora Rimon delivers speech in a packed sanctuary at Thursday's synagogue restoration ceremony to an audience that included the Massachusetts legislative delegation at left, and dignitaries that included the president of the Azores and mayor of Ponta Delgada at right.
Sinagogue- Ponta Delgada Before Restoration (In 1836 the Community Bought a Buuilding to Convert it into a Synagogogue (see LINKS)